Enjolras (
pro_patria_mortuus) wrote2015-01-21 10:27 pm
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In Room 89, the television is on. Courfeyrac has been mastering the arcane mysteries of the remote control.
Previously, this meant a great deal of switching between channels at random intervals; Enjolras arrived in the middle of this exercise, and settled down with a book and his thoughts to affectionately ignore Courfeyrac's entertainment. (It was a bit like being in a mostly empty café or near an open window, except that the sound abruptly flickered to a new scene every so often.) But then Courfeyrac found a show created by the Tourism Board of France.
Right now, a cheerful woman's voice is explaining the Lemon Festival of Menton.
Previously, this meant a great deal of switching between channels at random intervals; Enjolras arrived in the middle of this exercise, and settled down with a book and his thoughts to affectionately ignore Courfeyrac's entertainment. (It was a bit like being in a mostly empty café or near an open window, except that the sound abruptly flickered to a new scene every so often.) But then Courfeyrac found a show created by the Tourism Board of France.
Right now, a cheerful woman's voice is explaining the Lemon Festival of Menton.
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"She may not," Combeferre says. "But the world does, and she can, if she reads the book. I won't inform her myself; it's not my place, as a stranger to her, and a near-stranger to her father. He has the right to share his secrets with his daughter in his own time. But not the right to leave her unprotected against information the world knows."
Combeferre takes a deep breath. "There are also sections of the book concerning Mlle Fauchelevent herself--her childhood and youth--that she may not want widely known, on her own account. There are descriptions of her that she might find...improper. She can't do anything about them, of course. But I believe one has the right to know if there are near-salacious descriptions of one circulating to the public at large. Even if it's the public of the future. She is at Milliways. She may encounter those who have read it, and they may not all be as harmless as I am." This last is said dryly.
"Speaking of improper descriptions." Combeferre supposes he may as well say it now. They're in private, just the three of them. Enjolras will be as comfortable as possible when he hears this. "You should know, Enjolras--I don't expect you'll read the book, and there's no reason why you should--but Hugo becomes rather...florid, in his portrayal of you."
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On his own behalf...
Well, he's not a young woman, and it's not exactly new, even if the idea of being depicted with florid description in a widely read and influential work is profoundly distasteful. It's also nothing he can do anything about, except ignore it and move on. He grimaces resignedly.
It's written and published, and a martyr's legacy is in the hands of posterity, for whatever ends they might put it to. So be it.
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He hesitates. "And for you--perhaps not as bad, since it would be worse for a woman, and since there is other information about Mlle Fauchelevent's origins and childhood in the book. But even so..."
How to say this delicately? Even so, Hugo obviously badly wants you for his catamite isn't something Combeferre will say out loud.
"Hugo is obviously very taken with your appearance," he finishes. "He goes on, at rather embarrassing length. And he also describes your..." Friendship? What to call it? It is a friendship of sorts, certainly, but Hugo puts a different light on it. "...your...well, Grantaire's attitude to you. And Bossuet is telling Grantaire about it. To put it plainly, Hugo says Grantaire loves you, while you disdain him, until the end. Except he goes on for much longer about it."
Combeferre pauses. "I only tell you this so that you will be informed, if anyone--whether it be Grantaire, or one of our other friends, or the spy, or someone else at Milliways--seeks to surprise you with this information. And because I believe everyone is owed the truth of their legacy, no matter how little personal vanity they have."
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Then, naturally, he looks for his own name - but Combeferre's words stop him, and he goes looking for Enjolras instead.
There may be a bark of laughter, hastily stifled, and then amusement barely concealed as he reads on. Well, Victor Hugo. Who would have thought?
He looks up when Combeferre tells Enjolras of Grantaire, and then hurriedly back to the book. He is not surprised that Enjolras has been oblivious to all of it, but to his mind, it is not news. It would never get mentioned were it not for this book, but Grantaire's hopeless affection and Enjolras' lack of notice has always been clear - and is something that does not deserve to be paraded for all to see.
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But it is at least somewhat reassuring that Courfeyrac is finding it amusing, rather than sounding as if he'd like to call out Hugo, or throw the book in a fireplace. From the subtext in what Combeferre said and didn't say, Enjolras honestly wasn't sure.
(Relevant here is the fact that Courfeyrac has doubtless read more literature of the Romantics than either Combeferre or Enjolras. Not a difficult matter, with how little they both read of fiction. Thus, like Bahorel, he may be much more accustomed to taking florid descriptions in stride, or hearing them declaimed across somebody's room at a party.)
Instead, he grimaces again, with greater annoyance (and greater discomfort) this time.
"Well."
It's done and published. But that's not what he expected posterity might take from their death, or anything else.
Wryly, "Bahorel did tell me I wouldn't likely find the descriptions interesting."
He sighs, and rests a hand briefly over Combeferre's where it presses his shoulder. "Thank you. I wish he hadn't, and it's not fair to Grantaire, but it's done. Presumably Hugo felt he had some artistic reason." Enjolras doesn't understand artistic reasons, and knows it. "I'll speak with Grantaire about it if he likes, but I doubt he will."
He's not entirely oblivious to Grantaire's sentiments, though he also doesn't entirely comprehend many of them. But it's never been a matter he's wished to speak much of, nor acknowledge. What good would it do to either of them? Much of what's been left unspoken, Enjolras would prefer to continue not speaking of.
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Combeferre is less amused and more offended by Hugo's prose than Courfeyrac. But then, he will freely concede he knows less of literary fancies, and has less of a sense of whimsy regarding such things.
"I don't know who else in Milliways should be warned of Hugo's literary effort. Certainly not the spy, though our friends should know what the novel has to say about him. But he spares our other friends the worst of his attentions. Though some suffer from his neglect--Feuilly only has the chance to say one line, if you can believe it, even though Hugo lets Grantaire and Bossuet prattle on for paragraphs."
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'Is there anyone we suppose must know of it already? I remember when I came in, Teja was not surprised to see me - but he said that was because you were here already Enjolras, as well as Grantaire and Fauchelevent. My clothing and the blood made it obvious, so he might not have read it. But who else? The cannibal doctor speaks French and had some education in Paris. Would he know? What about your Russian friend, Enjolras? I do not thing we can assume everyone has seen it, but I would prefer to have an idea of it. I suppose there is no way to find out.'
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He hadn't thought of the possibility, but he can't think of any evidence for it, on first reflection.
"Hannibal Lecter, yes. He was the one who mentioned the book to Bahorel in the first place." For reasons of his own, but Enjolras isn't sure what those reasons might be. "Others... I don't know. No one's said anything that makes me think now that they knew of this book, but I might have missed a hint." Enjolras is attuned to hints that someone knows more than they ought -- they all are -- but this is a specific sort of knowledge that he hasn't previously encountered.
He, too, would prefer to have an idea of how many have read it, or an easy way to tell. But he can't think of any, short of asking directly or catching an indiscreet slip of the tongue.
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"What unholy motive could he possibly have for reading it? Other than to gloat about knowing things about us without being told, of course. Does he plan to tell the spy anything? About...well. The book has information on future events that a police spy might wish to know."
Combeferre shakes his head. "I take it the spy himself doesn't know of the book?"
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Which is better than it could be, but it's not as if Javert is given to confiding in any of them.
"It's a concern." To Courfeyrac in particular, he adds, "Apparently it's not only about our own barricade. There are some details of the men of '48 -- some names, locations, trials." Not only men, Enjolras, but it must be admitted that Victor Hugo also has significant blind spots in this area. "By '62, no doubt it was public knowledge and no harm, but here, for the spy..."
"If possible, we should keep him from learning anything of the book's existence, but I know of no practical way to accomplish that."
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Combeferre knows perfectly well that there is a simple practical way of keeping the spy from learning anything of the book's existence--or indeed, from learning anything ever again. He knows that Enjolras knows it, too. But Combeferre refrains from bringing this up: if Enjolras has not raised the topic, that means it is not under any real consideration at this time.
"Didn't I hear that M. Fauchelevent had been spending some time with the spy?"
Combeferre directs this question to both Enjolras and Courfeyrac, who have been here longer than him. "If so, perhaps we can ask M. Fauchelevent whether the spy knows anything. Perhaps even enlist his help in diverting the spy from the book. Though I don't know if M. Fauchelevent would be willing to do this, or if you would be willing to ask him."
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'I would volunteer to speak to the man about this, but I have not seen him here yet. I will introduce myself - properly this time - if you'd like me to, but if you are speaking to him about the book anyway Enjolras, perhaps you might enquire after this at the same time? The spy cannot find out anything about the future - he may be dead in sixteen years time, but that does not mean he won't leave instructions behind him.'
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It's not an option under serious consideration right now. Later... who knows?
"He's worth speaking with in any case. But yes, I will."
"So far as I can tell, Fauchelevent trusts the spy to not pose any danger to him personally -- they have some history together -- and to have some redeeming traits. I don't know how much they're in each other's confidence on any subject. And I've seen no reason to think anyone else can take any assurance from that. Still, I'll ask. He may know something, or learn it later. And he lives still, and can act as we can't."
That doesn't mean he'll be willing to act. Enjolras makes no assumptions on that score. Even the ones he would prefer to make; Valjean is not of their politics, he came to the barricade for his daughter's sake, he's willing to socialize with the spy for his own reasons. Enjolras trusts his discretion and his good heart, but they can't afford to assume that will translate into action, rather than merely silence.
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"He did give us that last uniform at the barricade," Combeferre says. "I suspect he will be amenable to an appeal on behalf of those of our sympathies, who will go on to play a role in 1848. Their lives and liberty, their families...I believe he will feel charitably to them, regardless of his disinterest in their politics."
He believes this based on what he's read in the novel. Highly embroidered it may be, even altered in many details, but the charitable impulse--that is a consistent feature throughout the book, and tallies with what Combeferre saw in the old eccentric at the barricade, and with what he's heard of Fauchelevent since. Combeferre believes in Fauchelevent's charity because he knows things he has no real right to know. There's a twinge of guilt that accompanies this; still, it would be foolish to ignore such a weapon. And information is a weapon--the greatest weapon--even as it is a balm and a light.
Combeferre doesn't like that thought much. It turns his greatest passion to violent ends. He sits down, and rests his chin on his hands.
"Let us hope so, anyway," he finishes.
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Still, he sits down too.
'I cannot contribute before reading it; I cannot claim any knowledge of him at all, beyond his actions at the barricade. But while it may be a hard thing to ask of him if he is friendly with the spy, surely he cannot possibly refuse to help? If he is a charitable man - and he is a man who will not kill, even! - then he will not condemn any future families by inaction.'
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"Then I wish you good luck for that conversation, my friend," he says, wryly. "It will be painful for him, and I expect for you also--but perhaps it may be fruitful nonetheless."
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He looks down at the book in his hands, his expression rueful.
'It is not a good position for anyone, but we must make the best of it. Save who can be saved, if possible. So I wish you luck also, Enjolras.'
In the meantime, he is going to read the novel.