Enjolras (
pro_patria_mortuus) wrote2017-07-03 07:09 pm
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When you're young, athletic, dead, and bored at Milliways, the available hobbies get surprisingly limited. In other words, for those who enjoy sparring, there's a whole lot of time to practice in.
Enjolras and Chuck Hansen, as they frequently do, have been killing some time this way. So when they come down the stairs, perfunctorily cleaned up but still kind of sweaty, it's in order to head to Bar for something to drink.
"--in case you aren't holding enough stuff," Chuck grouses, as they round a table.
Enjolras returns the mild look of someone who's heard this complaint before, but doesn't entirely understand it. "They are handy," he points out.
Enjolras and Chuck Hansen, as they frequently do, have been killing some time this way. So when they come down the stairs, perfunctorily cleaned up but still kind of sweaty, it's in order to head to Bar for something to drink.
"--in case you aren't holding enough stuff," Chuck grouses, as they round a table.
Enjolras returns the mild look of someone who's heard this complaint before, but doesn't entirely understand it. "They are handy," he points out.
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"Who used to be what now?" he asks, pitched to carry the few feet between them.
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Okay he knows a Montagnard joke is going to fly over Hansen's head, but come on, it was right there.
He was going to say something else about walking sticks, and their non-combat uses, but then Edgar speaks up. He's seen him around, and thinks they spoke briefly one time, but doesn't know him at all, by name or by personality. But Enjolras is a generally friendly guy, if reservedly so, so he answers readily, and amiably: "He's not a fan of walking sticks."
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"I like walking sticks if they're useful," Chuck says to Enjolras though he grins at Edgar. He has a bruise forming on one arm in the shape of one, but he doesn't seem to mind. "Paris is this fancy city in France. It's got the Eiffel Tower?"
He never knows what Edgar's heard of. "D'you know each other?"
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(It still feels so weird to say that.)
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He then points at Enjolras with the same hand. "Enjolras beats me up. And he's a French political guy from history."
"Oh, and -- we're all dead," he finishes, grinning as he checks the last important part of introductions off his mental list.
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Enjolras snorts at beats me up. "We spar," he corrects mildly, under Chuck's continuation, but it's more by way of expansion than actual objection. Chuck's gotten much better about beating him up in turn! But, yes.
There's visible, if muted, surprise and interest at the bit about Mars. (His assumption is now that Edgar is a Martian, from a world where Mars has men who look entirely human to the casual glance.)
"Good to meet you." He doesn't offer a hand, because that's not really a social reflex of his time, but he'll respond readily if Edgar does.
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"French, is it? Knew a lady once who spoke French. Don't know much else about it, sorry."
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"I know less than that about Mars," he offers, "so we're even."
He also knows very little about Australia -- sorry, Chuck -- but he's learned more about that one since coming to Milliways! Mars is still pretty much a blank slate, especially without knowing Edgar's universe.
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"Care to sit down?"
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He orders Gatorade and water off of a waitrat, but otherwise doesn't contribute to the conversation yet -- he doesn't know what he'd say. It's weird, knowing two people who don't know each other.
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Anyway, he's not quite grinning back at Edgar, but his face has definitely brightened in amused response. "Thank you," he says, taking his own seat. Back to the Mars part: "Through Milliways? And -- a horrible monster?"
It seems like the kind of story Edgar's interested in telling, at least in brief, and Enjolras is interested to hear! So.
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"Through Milliways, yeah. Ran into this little baby monster out back -- they call em thoats, ride on their backs and use them to carry loads? Ugly great lumps they are, so when I say 'little baby' I mean like half the size of this table here -- anyway it had run off from its mum, I followed it, two of us wound up in this vast fuckin desert in the middle of nowhere --"
He's gesturing animatedly as he speaks, hands spreading wide on vast fuckin desert.
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He's only half-succeeding. But he's trying!
Chuck gets a slightly confused look at the bit about bouncing, though. The look is turned to Edgar, a moment later: you bounce?
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He illustrates with one hand on the tabletop, forming a tiny walking figure with two fingers and springing it through an unlikely series of arcs.
"So there's me and this pitiful little baby thoat, no idea where the fuck we are, and here's this wall of sand coming at us, so we found a cave to wait out the storm. Except already in the cave is this great ugly sucker monster that thinks it wants to eat us, and it's too late to run, so --" He shrugs, spreading his hands again. "Had to kill it, didn't I.
"Tars Tarkus -- he's a proper man from Mars, they call it Barsoom there -- his people found us the next day, and Tars helped get me back here. He said they call it an iljat, the sucker monster thing."
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He's glad you aren't even more dead, Edgar.
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He doesn't understand it in the slightest, of course. But it's fascinating! He'll tell his more scientifically minded friends about it, and they'll probably think out loud at him at much more detailed length about the mechanics or implications or whatever. (Which he also won't understand, mostly, but that's all right.)
Anyway, back to the story. And the iljat, which he's vaguely picturing (probably incorrectly) as some kind of huge desert-dwelling octopus.
"I don't know him," is all he has to offer on the subject of Tars Tarkus, the helpful garbage heap of a proper man from Mars. So say whatever you like about him without fear of offense or hope of agreement, guys.
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He'll still hold it against Tarkas forever.
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"Yes," he says, in dry understatement, "I think I'd find him memorable."
"You must have confused each other a great deal, if all his people are like that."
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That's to the waitrat, which has reappeared with a tray of all their drinks.
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He really prefers Crimson Typhoon flavor, but it's on him for not specifying.
"Yeah, Dejah Thoris looks basically human," Chuck says. "She's a scientist around here."
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"Really?"
Huh.
"How varied are the Martian peoples, then? Do they all coexist?"
Sorry, Edgar, he'll notice that he's grilling you about Mars in a moment. And then he'll -- well, at least offer some openings for a subject change, if Edgar or Chuck doesn't actually want to spend a while infodumping about Barsoom. But he's too intrigued to have noticed quite yet.
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He grins. "Brought the baby thoat back here with me when that was all over, 'cause they said she was spoiled for work after that. She's huge now, lives in the stables out back."
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Legs, he means. If yes: golly. Huge ugly great lump, all legs is definitely accurate.
Anyway, Chuck's question. "New Orleans," he says, with a small smile. "There's a man here who lives there, who extended an invitation to everyone to come visit during Carnival. I would have preferred a quieter time, but still, it was wonderful to see the city."
Really, really wonderful. To see a living city, full of people going about their individual daily lives, breathing and loving and fighting and celebrating and grieving and caring and alive -- it was a gift beyond measure.
At least some of this sentiment is probably audible.
(He's also had some weirder Milliways experiences -- the Labyrinth, the time he and Bahorel followed a kirin into a magical land -- and he'll mention them too if this conversation continues along these lines, but they didn't feel the same as walking into a French-speaking city, in 21st century America, at Carnival time. And once, in Valjean's body, he went back to Paris, but nothing about that was touristing.)
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He sobers a little when the man talks about the city. And debates internally a moment, before saying the next thing.
"Never seen a city proper," he says, "less you count the Thark one. What're they like?"
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"You know how -- uh," he breaks off, not sure if trying for straightforward was a bad idea, and glances a bit helplessly at Enjolras. "Well, a little bit of sand's different from a beach, right? Like -- completely different, not just bigger. People are like that, if you get enough of them. Cities are...."
He shrugs, uncomfortable, and drinks.
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He'd have said that even before his death. But now, there's a lot more weight to it.
In spite of Chuck's doubts, though -- and it's a good thing Chuck didn't say that about proper cities, because Enjolras is the kind of Parisian who thinks Paris is the best and most proper city in any world -- Enjolras is actually quite familiar with the idea of people who've never seen a city. Plenty of people in his day lived and died in the countryside, and never went too far beyond their own village. Granted, he isn't imagining the truth of what Edgar grew up with instead, but all the same he takes the question in stride.
"Full of people, full of buildings. There's an energy to a city, a mood, a sort of personality. But it's made up of thousands of individuals, each living his own life, each worrying about his own concerns and doing the best he can. And all of them close on top of each other, in the streets, in houses and apartment buildings. In a village, everyone knows everyone; the stranger is obvious at a glance. In a city, a man might know his neighbors well, might be born and raised in a certain quarter, might be a regular at a café where the other drinkers call him fellow and the owner witnessed his marriage, might have a circle of the dearest friends imaginable, but he can still lose himself in a crowd; he can still walk as a stranger among strangers, very easily. There are always more citydwellers to meet. Always something new. A city is noisy, crowded, dirty, full of art, full of joy, of hunger, of thought, of innovation, of wonders. It's humanity, concentrated."
Enjolras, it may be apparent, loves the city. (And humanity.)
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"Well," he says slowly, and has to swallow. "Sounds different all right."