Enjolras (
pro_patria_mortuus) wrote2015-06-09 11:32 pm
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Cubefall is a three-day carnival, according to Bar's explanation. At sundown on the third day, everyone who transformed themselves will return to their original shape, unless they choose otherwise.
Enjolras still has no personal desire to change shape. He has little curiosity on the matter, and no sense of whimsy to be touched. The symbolism of the holiday, with its themes of rebirth and renewal and burning down the old world to forge a better future, touches him deeply, but even that wouldn't be enough on its own to get him to do something like this.
But for his friends -- for Combeferre and Joly's delight in science, for Bahorel's rough and physical companionability -- and, it must be admitted, for the dumbfounded delight that he knows will greet this action from every single one of his friends -- for that, halfway through the afternoon on the last day of Cubefall, he asks Bar for his viewscreen again.
He looks over the options again, though he knows them, and he knows which he'll select. Then he taps the third option.
Abruptly, a golden, lean, leggy dog stands where Enjolras was an instant ago.
For several moments the dog is unnaturally still, utterly motionless except for the swell and fall of ribs in breathing. Even his eyes don't move, except the reflex of blinking. It might be a statue of a dog, graven in fine gold wood and set in place.
Then he shakes himself all over, and all at once it's not a statue but a dog. Carefully at first, and then with growing ease, he trots outside.
Enjolras still has no personal desire to change shape. He has little curiosity on the matter, and no sense of whimsy to be touched. The symbolism of the holiday, with its themes of rebirth and renewal and burning down the old world to forge a better future, touches him deeply, but even that wouldn't be enough on its own to get him to do something like this.
But for his friends -- for Combeferre and Joly's delight in science, for Bahorel's rough and physical companionability -- and, it must be admitted, for the dumbfounded delight that he knows will greet this action from every single one of his friends -- for that, halfway through the afternoon on the last day of Cubefall, he asks Bar for his viewscreen again.
He looks over the options again, though he knows them, and he knows which he'll select. Then he taps the third option.
Abruptly, a golden, lean, leggy dog stands where Enjolras was an instant ago.
For several moments the dog is unnaturally still, utterly motionless except for the swell and fall of ribs in breathing. Even his eyes don't move, except the reflex of blinking. It might be a statue of a dog, graven in fine gold wood and set in place.
Then he shakes himself all over, and all at once it's not a statue but a dog. Carefully at first, and then with growing ease, he trots outside.
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He would make a comment about that last, but then there's Prouvaire's song. All right; it's the end of something, and a new Something, at that. It can have a moment or two of solemnity.
(More than that, though, is highly unlikely. The wolf body didn't have as much urge to talk, but he is entirely back to himself now, and it's been days.)
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Jehan also needs no internal debate, but he does have a sharp pang of melancholic regret. He takes one last aerial cartwheel, and sings a long melodic line of phoenix-song. Oh, if he could only retain the ability to assume this shape at will. If only he could capture this moment forever, and return to it whenever he pleased. If only he'd have something beyond the fading memory of thrilling flight and transcendent song. If only.
But he won't. He sings a final mournful note, and hits no.
Once Jehan is human again, he stalks over to a tree and sinks underneath it, pressing his face into his hands. He wants to concentrate and remember.
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He does not, in many ways, understand him at all. (In fairness, he's fairly certain it's mutual.)
For example: is this the kind of huddle of deep poetic feelings in which he would prefer to be left alone, or the kind of huddle of deep poetic feelings in which he would prefer company? A glance at Bahorel is no help. Bahorel is watching the sunset, neither looking at Prouvaire nor giving anybody else any cues.
Well. The tree is only a few strides away. Enjolras crosses to it quietly (and he is glad to be back in his own familiar body again, all his balance exactly where he expects it to be and all his muscles doing precisely what he asks, under the familiar weight of decent wool and linen), and presses a silent hand to that hunched shoulder.
He'll leave again in a moment, and go speak to Combeferre and Bahorel or merely stand with them, if Prouvaire wants. Or he'll stay, if that's what Prouvaire wants instead.
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"It's a hard thing for me to give up," Jehan says, in response to the question he senses from Enjolras. Flight, beauty, song, simply being a phoenix--he's been wrenched away from it now, and it's painful and cold.
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"Give up? Perhaps -- you'd know, I don't. But I would say you've always had something of the phoenix in your soul, my friend. You see both the fire and the future that arises from its ashes; you rejoice in transformation. None of that is lost."
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"I'm honored that you would say that," he manages to say. He still misses the song and the flight, of course. But--it would be arrogance to think there's any truth to what Enjolras said, but Enjolras's words light the way to a different truth. There's beauty and transcendence to be found in this form as well. It was in this form that Jehan met all of them, after all.
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When he raises his head again, it's only to say, "We've all lost our lives, but losing this form--it's a form of death, in its way."
He looks at Combeferre, who has walked over and knelt next to him. "In its way, perhaps," says Combeferre somberly, "but you're still here, so I much prefer this way to the other."
Jehan gives a sad smile of acknowledgement and lets his head fall to his knees again.
Combeferre rises and looks at Enjolras. "How did you enjoy the canine experience?"
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All the same, his hand tightens on Prouvaire's shoulder when he speaks of losing his phoenix's form as another kind of death. "As do I," he says softly.
But Combeferre's question is a lighter one; he can glance at him, and smile faintly, and shrug his shoulders.
"Very strange. I'm sure you'll find more education in it than I did, my friend. But it wasn't bad."
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But of course Enjolras and Combeferre wouldn't see it that way, though he's not sure how they do see it. For now he just puts an arm around Jehan's back and smiles slightly at Enjolras' assessment of the experience.
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Enjolras and Combeferre understand different things, and Jehan values that too. He smiles at Enjolras's "it wasn't bad," his melancholy swept aside by a sudden flood of mirth.
"I'm so happy you did it. The unicorn would have been more mythic--but I'm sure the dog's nature was worth experiencing, as well!"
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But it's the kind of well-suppressed expression that's Enjolras's version of the same thing.
He makes a small, amused gesture -- somewhere between as you say and I suppose, if you say so.
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Yes hello Combeferre, he's laughing at you now. Bahorel is no help at all ever.
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He is, however, deeply content. He was able to try being a pterosaur. Prouvaire, despite his present sadness, could be a phoenix for a while, and Combeferre is entirely in accord with Enjolras that this form expressed part of Prouvaire's true nature. Bahorel evidently enjoyed his experience as a wolf to the hilt, and Enjolras--that Enjolras transformed at all, largely to satisfy Combeferre's curiosity and Prouvaire's sense of poetry and Bahorel's sense of humor, was a very sweet gift. Combeferre smiles.
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It was a sublime experience, and it will make for a good poem.